Take Me to the Disco Meg Myers Review
Meg Myers fans have been waiting for virtually three years for her highly anticipated sophomore album. On July xx, those fans volition be rewarded for their patience with the singer-songwriter's 12-track anthology,Take Me to the Disco.
Like you may await of a sophomore release, Myers' sound has evolved and become a bit more refined. Just for an artist who was known for her corybantic energy, her unconstrained, oft frightening vocals, refined might not exist what fans were expecting.
The tape was produced by Christian "Gangling" Langdon (younger brother of '90s alt-rock act Spacehog frontman Royston Langdon). Myers had only previously worked with her longtime producer Dr. Rosen Rosen, but recorded with Langdon mostly at his Topanga studio.
This album is missing some of the raw dust present on past tunes like "Sorry" and the scary-in-a-good-manner ability of "Desire." Don't get me incorrect—this album isn't well-nigh sunshine and rainbows. Myers' sound is still incomparably dark and tunes similar the macabre "Funeral" haunt with horror motion picture-esque guitar rifts and creepy lyrics, "I'll give y'all my heart when I'g half-dozen foot deep. / It's cute / Baby my dearest'southward like a funeral."
Her anger is visceral on penultimate tune "Tear Me to Pieces," as she builds into a near-scream in the concluding minute of the song when she accuses her lover of being a "fucking liar." I'1000 most excited to encounter this song performed live (and as noted by Mark Ortega in his review of her live show, I won't be disappointed).
Only many of the tunes on this album are downright pretty, with some more than successful than others. There isn't a bad tune on the anthology per se just some of the lighter numbers but aren't memorable, like "Jealous Sea" and "I'g Non Sorry." The latter has a pretty cool and unexpected build at the end, but the drone of repeated words in the get-go half of the song ruins it for me.
"Some People" is one of the pretty songs that is a home run for Myers. The synths strike an upbeat Enya vibe, and every bit noted in our interview with Meg terminal week, that'south exactly what she was going for. In that location'due south a healing power to the track and the songwriting pulls at heartstrings.
While I'thou probable to skip through some of the more reserved tunes when listening to the anthology, i of my favorites is the gorgeous self-titled rail. Y'all might expect a song titled "Take Me to the Disco" to be a fun dance jaunt, but it's quite the contrary. The song is made dreamy and atmospheric with a steady piano melody and a lush string section, complimented past Myers' hazy layered vocals.
The album is the starting time the singer has released since parting ways with Atlantic Records at the conclusion of recording. Her single "Numb" catalogs her struggle to operate nether corporate direction with lyrics "I detest the feeling of this weight upon my shoulders, pushing the pressure down on me / You lot think you want the all-time for me but cypher really matters / If y'all force information technology, it won't come."
Now working with indie label 300 Entertainment, Myers appears to have taken the reins again. With more control over this album, Myers took risks, like trading spending more time on the pianoforte than her trusty bass and incorporating a strings sections into well-nigh half of the tunes. Although Myers' difference from her starting time album may not please her all of her fans, it'southward smashing to see her fully in control of her music once again.
Accept Me To The Disco arrives Friday, July 20. Pre-order the tape here.
Words by Samantha Cowan
Photos by Justin Higuchi
Source: http://www.passtheaux.co/album-review-meg-myers-crafts-lush-soundscapes-on-take-me-to-the-disco/
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